Built through repetition.

The studio was not built around mass production or trend cycles.

It developed slowly through repetition, experimentation, material study, and the act of making objects by hand over long periods of time.

Leather became the primary medium because it records use honestly.

Edges soften.
Surfaces darken.
Marks remain visible.
The object changes alongside the person carrying it.

Over time, the work expanded beyond traditional leather goods into engraving, surface experimentation, print-inspired textures, mirrors, and material-driven carry systems.

Objects should feel lived with rather than untouched.

Laser-engraved leather wallet panel featuring a jíbaro figure rendered in a Japanese-inspired linocut style, exploring memory, identity, and layered surface translation.

Material memory

Some remain minimal.

Others become layered through engraving, wear, revision, and repeated handling.

The goal is not perfection.

The goal is to create objects that record use honestly.

Open highway leading toward the Colorado Front Range mountains, symbolizing the studio's relocation from North Carolina and the beginning of a new chapter.

Built in transit.

Cuervo Viejo Studio was built across transitions.

Different homes.
Different cities.
Different versions of life.

The work developed slowly through repetition, labor, movement, and everyday life.

Objects are treated as records of use rather than preserved artifacts.

Leather changes honestly.

Pressure leaves marks.
Handling alters the surface.
Edges soften over time.

The studio continues to evolve through movement, observation, material study, and everyday practice.

The objects are not intended to remain pristine.

They are intended to remain present.

Still evolving.

Cuervo Viejo Studio is not built around permanence.

The work changes.
The process changes.
The materials change.

Some ideas remain unfinished for years before finding the correct form.
Others appear quickly through repetition, necessity, or experimentation.

The studio continues to evolve through use, observation, failure, refinement, and everyday practice.

The objects are not intended to remain pristine.

They are intended to be carried.